In Filipino director Sheron Dayoc’s feature, Women of the Weeping River, two women are in the middle of an enduring blood feud slowly decimating their respective families.
Davoc, who’s documentary The Crescent Rising was about men and women caught in the middle of war and poverty in the same area of Muslim Mindanao, brings to our attention a conflict over land dispute involving the Moro Muslim group in this island of southern Philippines. With an ensemble cast of non-professionals and a background that made the locals trust him so he could go on with his work in a region considered highly dangerous, the director chronicles with empathy, the side effects of these blood feud for those involved, especially the women. A world where the first authority, before even the state, is family bond, but from another age. So embittered are the two families they mainly live for vengeance.
Through the microcosm it describes as its central theme, Women of the weeping river tackles larger issues about ultimate political responsibilities of the central state in ending cycles of violence.
Last Screening: Wednesday October 11, 12:45 – Quartier Latin 17