Most reviews of Spanish director Sadrac Gonzalez-Pelleron’s second feature film, Black Hollow Cage will probably revolve around the sci-fi element of a mysterious black box. In fact, the film is more about human grief and the quest for forgiveness.
The action takes place in a vaguely futuristic home set in an environment where architecture and nature coexist. There is a parallel between the black box out there and the one the protagonists inhabit, with its sleek dark walls fabricated out of what appears to be a hybrid of dark stained wood and tarnished metal. In the opening sequence, tinny squeaks and percussion of mundane objects such as cupboard doors or a plate making contact with a countertop, stand out against the otherwise auditory tranquility. Banal sounds resonate while the chirping of birds is ever-present off screen. A similar sound dynamic appears to highlight Continue reading