DARIA GAMLIEL for Cinetalk.net
Words like banal, uneventful and repetitive are normally viewed as having negative connotations. However, in Andrei Konchalovsky’s The Postman’s White Nights, they describe a life most modern iPhone and Android addicts wouldn’t understand. There are no game consoles; no fidget spinners. On these small Russian islands, one would be hard pressed to find a vehicle other than a fishing boat. Life by Kenozero Lake has its own rhythm and routine. As much as there are mundane daily tasks, there are also warm camaraderie and a familiarity between neighbors and colleagues that modern society lacks.
The region’s postman (Aleksey Tryapitsyn) deals with personal demons (or, more specifically, a mysterious grey cat) as he tends to his daily chores. Not only does he deliver mail to the villagers, but also checks in on them and brings them groceries. He even temporarily adopts a young boy to keep him entertained and enriched. Otherwise what would the child do all day while his mother takes secret lovers in the back room of their house? Possibly the best parts of The Postman are the Continue reading