Rati Oneli’s hypnotically impressive City of the sun brings us at the center of a disturbing abyss.
In the Georgian mining town of Chiatura, people seem abandoned by the rest of civilization. They go on about their mining business during the day and about their social life later, resumed by expressing creativity in half-preserved surroundings and decaying architectures. Longings and hopes seem like distant foggy dreams.
Using numerous long trackings, longshots and deliberate slow pace, City of the sun, with its depiction of a semi-ghost town, is a dark and moody piece in a near apocalyptic setting. The approach is of a fiction film. Oneli spent months with his subjects. He observes his protagonists, rather than interviewing them. They forget his presence. It took Continue reading