DARIA GAMLIEL for Cinetalk.net
Without knowing in advance about the premise or plot, Rage throws at-first disjointed events and characters at the viewer. The connections slowly unfurl with a manhunt revealing three possible identities of a murderer. If however, the viewer goes into this 142-minute drama cum suspense thriller with the notion that it is a horror film, this isn’t the case. Perhaps by design, the mis-typing of Lee Sang-il’s film gives it the advantage of surprising its audience. It is Shunji Iwai-esque in its epic-length and treatment of subject matter. It follows multiple characters – misfits – whose confusion and grief propel their coming-of-age. Scenic Okinawan locations are juxtaposed against the neons of Tokyo, and the viewer is drawn into the relation between characters and environment.
Rarely seen in Japanese film, the gay community is surprisingly well showcased. Rage tackles several still-taboo subjects in this area, such as online hookups, what constitutes a ‘family’, and how to deal with chosen-family burial. The exchanges between characters in this story arc are Continue reading